... For “Psyché,” a new production choreographed by Alexei Ratmansky for the Paris Opera Ballet, Kilimnik started from a selection of pre-existing paintings to create five massive, dreamlike backdrops, including an enchanting, moonlit forest and a garden resplendent with clouds, flowers and perfume bottles. She then augmented these with rhinestones, glitter and, for good measure, a host of two-dimensional objects like the five-foot snail that enters and exits the stage at various points during the performance...
http://tmagazine.blogs.nytimes.com/2011/09/27/setting-the-stage-for-romance/
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